The following year, Allied released Hollywood's last B series Westerns. In this transformed commercial context, work like Russ Meyer's gained a new legitimacy. The double feature, never universal, was still the prevailing exhibition model: Christian was a standard entry: A suspense film, Terror Is a Man , ran as a "co-feature" with a now familiar sort of exploitation gimmick: The crime-based plot and often seedy settings would have suited a straightforward exploitation film or an old-school B noir. The phenomenon of the drive-in movie became one of the defining symbols of American popular culture in the s.
Television films inspired by recent scandals—such as The Ordeal of Patty Hearst , which premiered a month after her release from prison in —harkened all the way back to the s and such movies as Human Wreckage and When Love Grows Cold, FBO pictures made swiftly in the wake of celebrity misfortunes. One of blaxploitation's biggest stars was Pam Grier , who began her film career with a bit part in Russ Meyer's Beyond the Valley of the Dolls Ida Lupino , well known as an actress, established herself as Hollywood's sole female director of the era. Audiences might see explicit footage of anything from a live birth to a ritual circumcision. As Roger Ebert explained in one review, "Horror and exploitation films almost always turn a profit if they're brought in at the right price. The little studio had its own house auteur: David Cook credits AIP with leading the way "in demographic exploitation , target marketing , and saturation booking, all of which would become standard procedure for the majors in planning and releasing their mass-market 'event' films" by the late s. As of , he remained active as a producer, with more than movies to his credit. At the same time, many local television stations began showing B genre films in late-night slots, popularizing the notion of the midnight movie. The days of six quickies for a nickel were gone, but a continuity of spirit was evident. Programmers, with their flexible exhibition role, were ambiguous by definition. Corman would go on to direct over fifty feature films through A suspense film, Terror Is a Man , ran as a "co-feature" with a now familiar sort of exploitation gimmick: Reviewing Sisters , Pauline Kael observed that its "limp technique doesn't seem to matter to the people who want their gratuitous gore. Friedman drummed up publicity by distributing vomit bags to theatergoers—the sort of gimmick Castle had mastered—and arranging for an injunction against the film in Sarasota, Florida—the sort of problem exploitation films had long run up against, except Friedman had planned it. One of the most influential films of the era, on Bs and beyond, was Paramount's Psycho. Desperate and The Devil Thumbs a Ride. In January , there were 96 drive-ins in the United States; a decade later, there were more than 3, Lewis's business partner David F. Most down-market films of the type—like many of those produced by William Alland at Universal e. He played a similar part in five films originally released in , two for AIP and three for his own New World: Indeed, the United Artists release Cotton Comes to Harlem , directed by Ossie Davis , is seen as the first significant film of the type. Split Second , which concludes in a nuclear test range, is perhaps the first "atomic noir". He prefers to describe his metier as "low-budget exploitation films". Lewton produced such moody, mysterious films as Cat People , I Walked with a Zombie , and The Body Snatcher , directed by Jacques Tourneur , Robert Wise , and others who would become renowned only later in their careers or entirely in retrospect. Teas , in
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